My sense of style, of the epigram as a style, was awakened almost instantly when I came into contact with Sallust. Plato, it seems to me, throws all stylistic forms together and is thus a first-rate decadent in style: his responsibility is thus comparable to that of the Cynics, who invented the satura Menippea. The famous Lobeck, above all, crawled into this world of mysterious states with all the venerable sureness of a worm dried up between books, and persuaded himself that it was scientific of him to be glib and childish to the point of nausea and with. And the astonishing wealth of rites, symbols, and myths of orgiastic origin, with which the ancient world is literally overrun, gave Lobeck an opportunity to become still more ingenious. In that great calamity called Christianity, Plato represents that ambiguity and fascination, called an "ideal which made it possible for the nobler spirits of antiquity to misunderstand themselves and to set foot on the bridge leading to the Cross. 4, as the key to understanding the older, inexhaustibly rich and even overflowing Greek instinct, I was the first to take seriously that wonderful phenomenon which bears the name of Dionysus, which is only explicable in terms of an excess of force.

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Every single element in the act of procreation, of pregnancy, and of birth aroused the highest and most solemn feelings. How could one possibly judge the Greeks by their philosophers, as the Germans have done, or use the Philistine moralism of the Socratic schools as a clue to what was basically Hellenic! Thucydides: the great sum, the last revelation of that strong, severe, hard factuality which was instinctive with the older Greeks. The subtlest judges of taste among the ancients themselves are here on my side. The tremendous inward tension that resulted discharged itself in terrible and ruthless hostility toward the outside world: the city-states tore each other apart as the citizens tried to find resolution to this will to power they all felt. I have quite a different feeling toward the concept "Greek" that was developed by Winckelmann and Goethe; to me it is incompatible with the orgiastic element out of which Dionysian art grows. The Socratic virtues were preached because the Greeks had lost them: excitable, timid, fickle comedians every one of them, they had a few reasons too many for having morals preached to them. To this day, no other poet has given me the same artistic delight that a Horatian ode gave me from the first.

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With him the culture of the Sophists, by which I mean the culture of the realists, reaches its perfect expression this inestimable movement amid the moralistic and idealistic swindle set loose on all sides by the Socratic schools. Not in order to be liberated from terror and pity, not in order to purge oneself of a dangerous affect by its vehement discharge which is how Aristotle understood tragedy but in order to celebrate oneself the eternal joy of becoming, beyond all terror and. To see the counter example, one should look at the almost amusing poverty of instinct among the German philologists when they approach the Dionysian. Saying Yes to life even in its strangest and most painful episodes, the will to life rejoicing in its own inexhaustible vitality even as it witnesses the destruction of its greatest heros that is what I called Dionysian, that is what I guessed.

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Thucydides and, perhaps, Machiavelli's. That applies to whole cultures, it applies to books also to places and landscapes. On the other hand, it was believed that this droll ado, which took place on the feast days after all, must also form a necessary part of the festival and therefore it was maintained as an indispensable feature of the religious service." This is sex chat app download gänserndorf contemptible. 3, to sniff out "beautiful souls "golden means and other perfections in the Greeks, or to admire their triumphant calm, their ideal cast of mind, their noble simplicity my psychological skills protected me against such "noble simplicity a niaiserie allemande in any case. And how much Plato there still is in the concept "church in the construction, system, and practice of the church! My recreation, my preference, my cure from all Platonism has always been Thucydides. In fact I believe that Goethe excluded as a matter of principle any orgiastic feelings from his concept of the Greek spirit. "The Greeks he said (Aglaophamus I, 672 "when they had nothing else to do, laughed, jumped, and ran around; or, since man sometimes feels that urge too, they sat down, cried, and lamented.

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  • Twilight of the Idols by Friedrich Nietzsche.
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1, in conclusion, a word about that world to which I sought interpretations, for which I have perhaps found a new interpretation the ancient world. And with festivals and the arts they also aimed at nothing other than to feel on top, to show themselves on top. Consequently Goethe did not understand the Greeks. Who could ever have learned to write from a Greek? Civilization of the Greeks. It was Christianity, with its heartfelt resentment against life, that first made something unclean of sexuality: it threw filth on the origin, on the essential fact of our life. For it is only in the Dionysian mysteries, in the psychology of the Dionysian state, that the basic fact of the Hellenic instinct finds expression its "will to life." What was it that the Hellene guaranteed himself by means of these mysteries?

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Porno von alten frauen free reife damen And even in my Zarathustra one will recognize my very serious effort to achieve a Roman style, for the aere perennius more enduring than bronze in style. In certain languages that which sexy nackte frauen ficken geile reife milfs Horace has achieved could not even be attempted.
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Sex wrestling sex bad säckingen Who could ever have learned to write without the Romans? I saw their strongest instinct, the will to power: I saw them tremble before the indomitable force of this drive I saw how all their institutions developed as protections against this inner impulsion. I am a complete skeptic about Plato, and I have never been able to join in the customary scholarly admiration for Plato the artist. Please do not throw Plato. Not that it did any good but big words and attitudes suit decadents so well.
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